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As the new brand in the cine lens market, DZOFILM desires to build up an unique brand image combined with fashion and professional. Equipped with strong and solid optical foundation from our industrial machine, DZOFILM cinema lenses are able to convey
As the new brand in the cine lens market, DZOFILM desires to build up an unique brand image combined with fashion and professional. Equipped with strong and solid optical foundation from our industrial machine, DZOFILM cinema lenses are able to convey excellent image with its own texture and feeling.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
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Designed to cover the Super35 sensor of cine-style cameras, this set of blue-coated lenses includes six focal lengths (28mm, 32mm, 40mm, 55mm, 75mm, and 100mm).
This DZOFilm Arles FF/VV Prime Cine 10-Lens Set includes 10 focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 21, 25, 35, 40, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Memories are recreated through images, enabling us to travel between the real and the imaginary in time and space. Every artist has their golden age they long for. Vespid Retro Prime provides infinite inspiration and surprise with unique golden coating design. The image becomes the extension of sense and continuation of dreams.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
Gnosis 3-Lens Kit (Macro 24/32/65 T2.8) metric
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
This DZOFilm Arles FF/VV Prime Cine 8-Lens Set includes eight focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 25, 35, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 50, 75, 100, and 125mm T2.1, and 12 and 16mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and...
This DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 40, 50, 75, 100, and 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for...
This DZOFilm Arles FF/VV Prime Cine 5-Lens Set includes five focal lengths ranging from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 21, 40, 135, and 180mm lenses and a lens case.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
This DZOFilm VESPID Prime Cine 8-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal,...
The DZOFILM Arles FF/VV Prime Cine Lens series includes a range of focal lengths (25mm, 35mm, 50mm, 75mm and 100mm) designed for Full Frame and VistaVision cameras.
Catta Ace Zoom 2-Lens Kit (18-35/35-80/70-135 T2.9) Black
This DZOFilm VESPID 7-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125, and 90mm macro EF mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
DZOFilm VESPID Prime 9-Lens Kit provides a wide range of cine-style lenses suitable for almost any project. Offering full-frame coverage, the kit comprises 16, 25, 35, 40, 50, 75, 90, 100, and 125mm PL mount lenses and EF-mount adapters for each lens.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
This DZOFilm VESPID 6-Lens Kit A is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, and 125mm PL mount and included EF mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
Catta Zoom 3-Lens Kit (18-35/35-80/70-135 T2.9) Black
Catta Zoom 3-Lens Kit (18-35/35-80/70-135 T2.9) White
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Catta Ace Zoom 2-Lens Kit (18-35/70-135 T2.9) Black
Catta Ace Zoom 2-Lens Kit (18-35/35-80 T2.9) Black
This DZOFilm VESPID Cyber Full Frame 3-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 35, 50, and 75mm T2.1 EF and PL-mount lenses cover full frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
Pictor Zoom 3-Lens Kit (12-25/50-125/20-55 T2.8) White
This Pictor T2.8 Super35 Zoom 3-Lens Bundle from DZOFilm consists of three zoom lenses - the 14 to 30mm, 20 to 55mm, and 50 to 125mm - with a standard white finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer...
Vespid Prime 7-Lens Kit (16 T2.8 + 25/35/50/75/100/125 T2.1)
This Pictor T2.8 Super35 Zoom 3-Lens Bundle from DZOFilm consists of three zoom lenses - the 14 to 30mm, 20 to 55mm, and 50 to 125mm - with a standard black finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer...
Pictor Zoom 3-Lens Kit (12-25/50-125/20-55 T2.8) Black
Add two full frame zoom lenses to your production kit to cover numerous focal lengths and cameras with this CATTA Ace FF 35-80 & 70-135mm T2.9 Zoom Lens Bundle from DZOFilm.
Gnosis Macro 24 T2.8 for PL/EF/LPL Mount (VV/FF) metric
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
This kit includes 12, 25, 35, 50, and 75mm PL mount lenses with EF mount adapters.
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.5 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.5 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Pavo 2x Anamorphic 75mm T2.1 for PL/EF Mount (S35) metric - Blue Coating
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this neutral-coated lens has a maximum aperture of T2.4 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Pavo 2x Anamorphic 28mm T2.1 for PL/EF Mount (S35) metric - Golden Coating
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.4 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 28mm T2.1 2x Anamorphic Prime Lens from DZOFilm.
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Catta Zoom 2-Lens Kit (18-35/70-135 T2.9) White
Catta Zoom 2-Lens Kit (18-35/35-80 T2.9) White
Catta Zoom 2-Lens Kit (18-35/70-135 T2.9) Black
Catta Zoom 2-Lens Kit (18-35/35-80 T2.9) Black
Add two full-frame zoom lenses to your production kit to cover multiple focal lengths and cameras with this Catta 35-80mm & 70-135mm T2.9 E-Mount Cine Zoom 2-Lens Bundle from DZOFilm. The kit includes a black Catta E-mount 35-80mm T2.9 zoom lens, a black Catta E-mount 70-135mm T2.9 zoom lens, two front lens caps, two rear caps, two shim sets, two...
Add two cinema zoom lenses to your documentary, broadcast, or online production kit with this Catta 35-80 & 70-135mm T2.9 E-Mount Cine Zoom 2-Lens Bundle from DZOFilm. The bundle includes the Catta 35 to 80mm cinema lens, the Catta 70 to 135mm cinema lens, and a hard-shell case.
This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens from DZO consists of two lenses with a standard black finish, making them less likely to be seen in on-set reflections. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture.
This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle from DZOFilm comprises a two-lens set with a white finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both lenses cover Super35 and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast...
Catta Ace Zoom 18-35 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Catta Zoom 18-35 T2.9 Black for E Mount (FF)
Catta Zoom 18-35 T2.9 White for E Mount (FF)
Catta Ace Zoom 35-80 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Catta Ace Zoom 70-135 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Covers Full Frame Sensors | T1.4 to T22, Painterly Look, Smooth Bokeh, 16-Blade Iris, 95mm Outer Diameter, Interchangeable PL Mount, 270° Focus and 77° Iris Rotation, 0.8 MOD Cinema-Standard Gearing
This prime lens offers a wide aperture range of T1.4 to T22, allowing for excellent low-light capture and a visually striking shallow depth of field. Its 16-blade iris and optical construction with multiple grouped elements create a soft and natural bokeh effect. The lens features a 270° rotating focus ring and a 77° rotating iris ring, providing precise...
This longer 135mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
This 21mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Pictor Zoom 12-25 T2.8 White for PL/EF Mount (S35)
The white Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens from DZOFilm features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of lenses. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta 35-80mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this white Catta 35-80mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta 70-135mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine zoom lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this white Catta 70-135mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine zoom lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
The black Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens from DZOFilm features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of lenses. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range.
Pictor Zoom 12-25 T2.8 Black for PL/EF Mount (S35)
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 35mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 50mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 75mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
This lens is designed for use with full-frame and VistaVision cameras, providing high-quality, cinematic images.
This 40mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features.
The DZOFILM Arles 100mm FF/VV Prime Cine lens is a professional lens designed for filmmakers and videographers.
Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal length, wide T1.4 aperture and exceptional image quality
The DZOFILM Arles 50mm FF/VV Prime Cine lens is a high-quality lens designed for professional filmmakers.
A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually...
A parfocal cine lens, the DZO Pictor 50 to 125mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually...
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to PL-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on a PL-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to LPL-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on an LPL-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
The Linglung 10-24mm T2.9 MFT Lens from DZOFilm is a professional parfocal cine lens designed to maintain focus as you zoom in or out and reduce focus-breathing to a minimum. You can keep overall focus consistency throughout the zoom range.
The Linglung 20-70mm T2.9 MFT Lens from DZOFilm is a professional parfocal cine lens designed to maintain focus as you zoom in or out and reduce focus-breathing to a minimum. You can keep overall focus consistency throughout the zoom range.
Relatively small and lightweight, the DZOFilm VESPID 40mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 21mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 25mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 35mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 50mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 75mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 125mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to E-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on an E-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to L-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on an L-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to RF-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on an RF-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
The 2-Lens Pelican Hard Case from DZOFilm is a hard-shell case that fits up to two Catta Ace zoom lenses. This Pelican-brand case interior features a laser-cut foam insert that cradles and protects each lens.
The sturdy and durable case comes with custom-cut interior foam to keep your lenses secure and protected during transport or storage.
Hard Case for Catta Ace Zoom 2-Lens Kit (18-35/35-80/70-135)
The 2-Lens Hard Case from DZOFilm is a hard-shell case that fits up to two Catta cine zoom lenses. This case interior features a laser-cut foam insert that cradles and protects each lens.
The Empty Hard Case from DZOFilm is a hard-shell case that fits the three 14-30mm, 20-55mm, and 50-125mm Pictor zooms, plus several lens accessories. This case interior features a laser-cut foam insert that cradles and protects each lens. There are separate slots for accessories, shim sets, and lens mounts.
This Hard Case from DZOFilm is specifically designed to accommodate one PAVO anamorphic lens plus select accessories. The sturdy and durable case comes with custom-cut interior foam to keep your lens secure and protected during transport or storage.
The Hard Case for VESPID Primes from DZOFilm is an ideal solution for storing or traveling. The case interior features a laser-cut foam insert that cradles and protects each lens.
Hard Case for Pavo Anamorphic 3-Lens Kit
Add filters to protect the rear element of your Vespid and Catta Ace PL-mount zoom lenses with this Koop Rear Filter Kit from DZOFilm. This Standard set of filters includes a magnetic L365 UV filter, a magnetic ND4 filter, a magnetic ND8 filter, a magnetic ND16 filter, a magnetic adapter ring base, a wrench, and a shim set.
Add filters to protect the rear element of your Vespid and Catta Ace PL-mount zoom lenses with this Koop Rear Filter Kit from DZOFilm. This Artistic set of filters includes a magnetic frame, a magnetic 1/4 Black Soft Glow, a magnetic Brushed Blue streak filter, a DIY Bokeh filter set, a magnetic adapter ring base, a wrench, and a shim set.
Add filters to protect the rear element of your Catta Zoom lenses with this Catta Coin Plug-in Filter set from DZOFilm. This artistic set of filters includes blue, golden, rainbow streak, and starburst filters. They are compatible with Catta Zoom lenses with E/RF/L/X/Z mounts.
The Hard Case for VESPID Primes from DZOFilm is a hard-shell case that fits up to four VESPID prime lenses. This case interior features a laser-cut foam insert that cradles and protects each lens.
The Hard Case for the Pictor Zoom Bundle from DZOFilm is a hard-shell case that fits both the 20-55mm and the 50-125mm Pictor zooms plus several lens accessories. This case interior features a laser-cut foam insert that cradles and protects each lens.
This PL lens to a DJI Ronin 4D DL camera mount Octopus Adapter from DZOFilm allows you to use a PL-mount lens on the DJI Ronin 4D DL mount, enabling you to use cinematic glass with a variety of cameras. This durable lens support features stainless steel and aluminum construction, and its tight fit prevents any play or wiggle at any temperature and...
This EF-mount lens to Leica L camera mount Octopus Adapter from DZOFilm allows you to use an EF-mount lens on a camera with a Leica L mount, enabling you to use cinematic glass with a variety of cameras, and it maintains infinity focus. This durable lens support features stainless steel and aluminum construction, and its tight fit prevents any play or...
This EF-mount lens to Canon RF camera mount Octopus Adapter from DZOFilm allows you to use an EF-mount lens on a camera with a Canon RF mount, enabling you to use cinematic glass with a variety of cameras, and it maintains infinity focus. This durable lens support features stainless steel and aluminum construction, and its tight fit prevents any play or...
The black PL Lens to Canon RF-Mount Adapter from DZOFilm enables you to use PL-mount lenses on your Canon RF-mount camera. Features include a stainless steel mount, a flocked interior that reduces internal reflections, and a 1/4"-20 support foot that can be used to reduce stress on your camera's lens mount.
This EF-mount lens to Sony E camera mount Octopus Adapter from DZOFilm allows you to use an EF-mount lens on a camera with a Sony E mount, enabling you to use cinematic glass with a variety of cameras, and it maintains infinity focus. This durable lens support features stainless steel and aluminum construction, and its tight fit prevents any play or...
This PL lens to Leica L camera mount Octopus Adapter from DZOFilm allows you to use a PL mount lens on a camera with a Leica L mount, enabling you to use cinematic glass with a variety of cameras. This durable lens support features all-metal construction and tight tolerances that allow your lens to maintain infinity focus.
The PL Lens to Sony E-Mount Adapter from DZOFilm enables you to use PL-mount lenses on your Sony E-mount camera. Features include a stainless steel mount, a flocked interior that reduces internal reflections, and a 1/4"-20 support foot that can be used to reduce stress on your camera's lens mount.
The black PL Lens to FUJIFILM X-Mount Adapter from DZOFilm enables you to use PL-mount lenses on your FUJIFILM X-mount camera. Features include a stainless steel mount, a flocked interior that reduces internal reflections, and a 1/4"-20 support foot that can be used to reduce stress on your camera's lens mount.
Add an LPL mount to your CATTA Ace zoom or Vespid prime lens with this LPL-Mount Tool Kit from DZOFilm. The tool kit has everything you need to add the LPL mount and includes the mount, a rear cap, a screw set, and a screwdriver.
Add filters to protect the rear element of your Catta Zoom lenses with this Catta Coin Plug-in Filter set from DZOFilm. This ND set of filters includes ND 0.6, ND 0.9, and ND 1.2 filters, cutting light into the sensor by 2, 3, and 4 stops, respectively. They are compatible with Catta Zoom lenses with E/RF/L/X/Z mounts.
Add filters to protect the rear element of your Catta Zoom lenses with this Catta Coin Plug-in Filter set from DZOFilm. This creative set of filters includes one Black Mist 1/8 and one Black Mist 1/4 rear filter. They are compatible with Catta Zoom lenses with E/RF/L/X/Z mounts.
Swap out the mount on your Catta cinema zoom lens to use it on a Fuji X-mount camera with this Lens Mount Bayonet from DZOFilm. The mount is compatible with the DZOFilm Catta 35 to 80 or 70 to 135mm cine zoom lens, and it can be installed using its quick-bayonet mount without the requirement of tools.
Swap out the mount on your Catta cinema zoom lens to use it on a Nikon Z-mount camera with this Lens Mount Bayonet from DZOFilm. The mount is compatible with the DZOFilm Catta 35 to 80 or 70 to 135mm cine zoom lens, and it can be installed using its quick-bayonet mount without the requirement of tools.
Swap out the mount on your Catta cinema zoom lens to use it on a Leica L-mount camera with this Lens Mount Bayonet from DZOFilm. The mount is compatible with the DZOFilm Catta 35 to 80 or 70 to 135mm cine zoom lens, and it can be installed using its quick-bayonet mount without the requirement of tools.
Swap out the mount on your Catta cinema zoom lens to use it on a Canon RF-mount camera with this Lens Mount Bayonet from DZOFilm. The mount is compatible with the DZOFilm Catta 35 to 80 or 70 to 135mm cine zoom lens, and it can be installed using its quick-bayonet mount without the requirement of tools.
DZOFILM Catta Zoom E mount bayonet for DZOFILM Catta Zoom Lens
Add a PL mount to your Pictor zoom or Vespid prime lens with this PL-Mount Tool Kit from DZOFilm. The tool kit includes everything you need to add the PL mount and includes a bayonet, a PL port cap, a shim set, and a screwdriver.
Add an EF mount to your Pictor zoom or Vespid prime lens with this EF-Mount Tool Kit from DZOFilm. The tool kit includes everything you need to add the EF mount and includes a bayonet, an EF port cap, a shim set, and a screwdriver.
The Koop Rear UV Filter from DZOFilm is designed to be used individually with a separately available Koop magnetic base. It is a general-use clear filter designed to absorb ultraviolet light to protect your camera sensor and reduce the bluish cast of daylight. The filter features nano multicoating that protects it from dust, scratching, or moisture, and...
This Shim Set from DZOFilm allows you to install Koop rear filters onto your Vespid or Catta Ace lenses with a tight fit. The set comes with eight shims to ensure the filter is installed tightly to prevent any play or wiggle when installed on the camera. Each shim has a slightly different shape, and the thicknesses include 0.5, 0.3, 0.1, 0.05, 0.03, and...
Add a spare or replacement ring to your Koop rear filter kit with this Magnetic Base from DZOFilm. The magnetic base is a ring that allows you to quickly install a single rear filter onto your Vespid or Catta Ace lens. It is the same ring that comes in the Koop rear filter sets.