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As the new brand in the cine lens market, DZOFILM desires to build up an unique brand image combined with fashion and professional. Equipped with strong and solid optical foundation from our industrial machine, DZOFILM cinema lenses are able to convey
As the new brand in the cine lens market, DZOFILM desires to build up an unique brand image combined with fashion and professional. Equipped with strong and solid optical foundation from our industrial machine, DZOFILM cinema lenses are able to convey excellent image with its own texture and feeling.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
1 pieces in stock
Designed to cover the Super35 sensor of cine-style cameras, this set of blue-coated lenses includes six focal lengths (28mm, 32mm, 40mm, 55mm, 75mm, and 100mm).
This DZOFilm Arles FF/VV Prime Cine 10-Lens Set includes 10 focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 21, 25, 35, 40, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Memories are recreated through images, enabling us to travel between the real and the imaginary in time and space. Every artist has their golden age they long for. Vespid Retro Prime provides infinite inspiration and surprise with unique golden coating design. The image becomes the extension of sense and continuation of dreams.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
Pavo 2x Anamorphic Prime C Set Macro 65mm/180mm T2.8, 135mm T2.5 -Blue Coating - PL&EF mount (metric)
Pavo 2x Anamorphic Prime C Set Macro 65mm/180mm T2.8, 135mm T2.5 -Neutral Coating - PL&EF mount (metric)
Gnosis 3-Lens Kit (Macro 24/32/65 T2.8) metric
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
This DZOFilm Arles FF/VV Prime Cine 8-Lens Set includes eight focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 25, 35, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
This DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 40, 50, 75, 100, and 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for...
DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 50, 75, 100, and 125mm T2.1, and 12 and 16mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and...
This DZOFilm Arles FF/VV Prime Cine 5-Lens Set includes five focal lengths ranging from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 21, 40, 135, and 180mm lenses and a lens case.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
This DZOFilm VESPID Prime Cine 8-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal,...
The DZOFILM Arles FF/VV Prime Cine Lens series includes a range of focal lengths (25mm, 35mm, 50mm, 75mm and 100mm) designed for Full Frame and VistaVision cameras.
Catta Ace Zoom 2-Lens Kit (18-35/35-80/70-135 T2.9) Black
This DZOFilm VESPID 7-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125, and 90mm macro EF mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
DZOFilm VESPID Prime 9-Lens Kit provides a wide range of cine-style lenses suitable for almost any project. Offering full-frame coverage, the kit comprises 16, 25, 35, 40, 50, 75, 90, 100, and 125mm PL mount lenses and EF-mount adapters for each lens.
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
This DZOFilm VESPID 6-Lens Kit A is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, and 125mm PL mount and included EF mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
Catta Zoom 3-Lens Kit (18-35/35-80/70-135 T2.9) Black
Catta Zoom 3-Lens Kit (18-35/35-80/70-135 T2.9) White
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Catta Ace Zoom 2-Lens Kit (18-35/35-80 T2.9) Black
Catta Ace Zoom 2-Lens Kit (18-35/70-135 T2.9) Black
This DZOFilm VESPID Cyber Full Frame 3-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 35, 50, and 75mm T2.1 EF and PL-mount lenses cover full frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
This Pictor T2.8 Super35 Zoom 3-Lens Bundle from DZOFilm consists of three zoom lenses - the 14 to 30mm, 20 to 55mm, and 50 to 125mm - with a standard white finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer...
Pictor Zoom 3-Lens Kit (12-25/50-125/20-55 T2.8) White
Vespid Prime 7-Lens Kit (16 T2.8 + 25/35/50/75/100/125 T2.1)
This Pictor T2.8 Super35 Zoom 3-Lens Bundle from DZOFilm consists of three zoom lenses - the 14 to 30mm, 20 to 55mm, and 50 to 125mm - with a standard black finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer...
Pictor Zoom 3-Lens Kit (12-25/50-125/20-55 T2.8) Black
Add two full frame zoom lenses to your production kit to cover numerous focal lengths and cameras with this CATTA Ace FF 35-80 & 70-135mm T2.9 Zoom Lens Bundle from DZOFilm.
Gnosis Macro 24 T2.8 for PL/EF/LPL Mount (VV/FF) metric
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
This kit includes 12, 25, 35, 50, and 75mm PL mount lenses with EF mount adapters.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.8 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.5 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal neutral flares.
Designed to cover Super35 sensors of cine-style cameras, this lens has a maximum aperture of T2.5 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and evenly layered, horizontal blue flares.
Combing Super 35 and a 2x squeeze factor, the Pavo Series are veritable anamorphic lenses, being compatible with various cinema cameras and providing alluring waterfall bokeh
Pavo 2x Anamorphic 75mm T2.1 for PL/EF Mount (S35) metric - Blue Coating
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this golden-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Pavo 2x Anamorphic 28mm T2.1 for PL/EF Mount (S35) metric - Golden Coating
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 28mm T2.1 2x Anamorphic Prime Lens from DZOFilm.
Designed to cover the Super35 sensor of cine-style cameras, this neutral-coated lens has a maximum aperture of T2.4 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.4 and employs 2x magnification, thus achieving what is commonly referred to as "true" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional "waterfall" bokeh and elegant blue horizontal flares.
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Catta Zoom 2-Lens Kit (18-35/70-135 T2.9) White
Catta Zoom 2-Lens Kit (18-35/70-135 T2.9) Black
Catta Zoom 2-Lens Kit (18-35/35-80 T2.9) White
Catta Zoom 2-Lens Kit (18-35/35-80 T2.9) Black
Add two cinema zoom lenses to your documentary, broadcast, or online production kit with this Catta 35-80 & 70-135mm T2.9 E-Mount Cine Zoom 2-Lens Bundle from DZOFilm. The bundle includes the Catta 35 to 80mm cinema lens, the Catta 70 to 135mm cinema lens, and a hard-shell case.
Add two full-frame zoom lenses to your production kit to cover multiple focal lengths and cameras with this Catta 35-80mm & 70-135mm T2.9 E-Mount Cine Zoom 2-Lens Bundle from DZOFilm. The kit includes a black Catta E-mount 35-80mm T2.9 zoom lens, a black Catta E-mount 70-135mm T2.9 zoom lens, two front lens caps, two rear caps, two shim sets, two...
This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens from DZO consists of two lenses with a standard black finish, making them less likely to be seen in on-set reflections. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture.
This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle from DZOFilm comprises a two-lens set with a white finish. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both lenses cover Super35 and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast...
Catta Ace Zoom 18-35 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Catta Zoom 18-35 T2.9 Black for E Mount (FF)
Catta Zoom 18-35 T2.9 White for E Mount (FF)
Catta Ace Zoom 35-80 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Catta Ace Zoom 70-135 T2.9 Black for PL/EF Mount (VV/FF) (Box)
Covers Full Frame Sensors | T1.4 to T22, Painterly Look, Smooth Bokeh, 16-Blade Iris, 95mm Outer Diameter, Interchangeable PL Mount, 270° Focus and 77° Iris Rotation, 0.8 MOD Cinema-Standard Gearing
This prime lens offers a wide aperture range of T1.4 to T22, allowing for excellent low-light capture and a visually striking shallow depth of field. Its 16-blade iris and optical construction with multiple grouped elements create a soft and natural bokeh effect. The lens features a 270° rotating focus ring and a 77° rotating iris ring, providing precise...
This longer 135mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
This 21mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
Pictor Zoom 12-25 T2.8 White for PL/EF Mount (S35)
The white Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens from DZOFilm features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of lenses. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta 35-80mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this white Catta 35-80mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this black Catta 70-135mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine zoom lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
Add a cinema zoom lens to your documentary, broadcast, or online production kit with this white Catta 70-135mm T2.9 E-Mount Cine Zoom Lens from DZOFilm. The cine zoom lens is designed to maintain focus as you smoothly zoom in or out. The Catta line reproduces accurate color and features a smooth focus/defocus transition.
The black Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens from DZOFilm features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of lenses. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range.
Pictor Zoom 12-25 T2.8 Black for PL/EF Mount (S35)
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 35mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 50mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
Relatively small and lightweight and with an added data interface, the DZOFilm VESPID Cyber Full Frame 75mm T2.1 Prime Lens is part of the VESPID series of lenses and well suited for independent and high-end full frame cinematography. The Cyber part of its data connection passes aperture and focus data to assist with VFX and post-production workflows.
Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal length, wide T1.4 aperture and exceptional image quality
This 40mm prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh to your high-quality imagery. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
The DZOFILM Arles 100mm FF/VV Prime Cine lens is a professional lens designed for filmmakers and videographers.
The DZOFILM Arles 50mm FF/VV Prime Cine lens is a high-quality lens designed for professional filmmakers.
This lens is designed for use with full-frame and VistaVision cameras, providing high-quality, cinematic images.
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture cine-style images thanks to its improved features.
A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually...
A parfocal cine lens, the DZO Pictor 50 to 125mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. The internal focus design with floating elements virtually...
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to PL-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on a PL-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Expand the angle of view of your S35 lens when using it on a full-frame or VistsaVision camera with this Marlin 1.6x Expander for PL Lens to LPL-Mount Camera from DZOFilm. This durable aluminum expander is designed for your S35 PL-mount lens for use on an LPL-mount camera without sacrificing the S35 angle of view. The expander magnifies the image by 1.6x.
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.