Phantom power handle for ME 62-67, phantom power 12-48V, XLR-M 3-pin, black
1 pieces in stock
Two-channel, portable, high-resolution USB audio interface for Mac OS and Windows. Balanced mic, line, coaxial and optical SPDIF I/O, with up to 24 bit/192 kHz
Usually ships within 4 weeks
Single Channel, battery powerded microphone preamplifier with headphone monitoring, phantom&T-power, limiter, high-pass filter, 2-AA or external DC
Usually ships within 4 weeks
Dual Channel Microphone/Line Preamplifier with Four Channel Audio Distribution and a Studio-Quality Transformer on Each Output
Stereo Headphone Amplifier, 3 outputs, accepts balanced and unbalanced line level inputs, powered from 2-AA batteries or external DC
Usually ships within 4 weeks
Portable, single channel microphone preamplifier, with phantom, limiter, and high-pass filter, powered from 2-AA batteries
Usually ships within 4 weeks
The HR-MP2 is a dual channel microphone preamplifier housed in a half space rack-mount chassis. The preamp features exceptional input headroom, wide flat frequency response, and extremely low noise with very high common-mode signal rejection. Total harmonic distortion and crosstalk are below the noise floor.
The HR-MP2A is a dual channel microphone preamplifier housed in a half space rack-mount chassis. The preamp features exceptional input headroom, wide flat frequency response, and extremely low noise with very high common-mode signal rejection. Total harmonic distortion and crosstalk are below the noise floor.
Stereo Microphone & Line Level Limiter
The RU-MLA2 is a two channel microphone/line preamp and a four channel audio distribution amplifier. The input and all four outputs may be connected either through the front-panel XLR jacks, or on the rear panel detachable terminal blocks, with both the front-panel XLR connectors, and the rear-panel terminals, active at all times.
Twin Mono, Or Stereo, Limiter
The FP-MP1 is a single channel, compact microphone preamp. The XLR and plug-in terminal block connections make the FP-MP1 perfect for both rack-mounted hardwired installations and remote use with standard audio cables.
The EZ-MPA2 is a stereo microphone preamplifier with front-panel volume controls and audio level metering. A front-panel switch engages audio compressors to control overloads and clipping during high level audio bursts or peaks from the microphones. Dynamic or condenser microphones are both supported with rear-panel switchable phantom voltage. Includes...
The STM-LDA3 is designed for use in quality commercial sound, broadcast and recording applications. The 1.2 kilohm balanced input accepts a wide variety of microphone input levels without loading professional low-impedance microphones. A multi-turn gain trimmer allows precise output level adjustment. The output signal is available on three separate...
The STM-3 is a quality low-noise microphone preamplifier designed for use in surveillance, commercial sound, broadcast, and recording where higher than normal gain is required. The STM-3 is very flexible, with gain adjustment from 45 to 75 dB, two balanced or unbalanced outputs, and available phantom supply input.
The STM-2X is the ideal choice in many installations where a microphone preamplifier is required, and is the ideal choice where either a toggle-type switch or push-to-talk switch is to be provided for microphone control, particularly if condenser microphones are used.
The EZ-MPA1 is a microphone preamplifier with front-panel volume control and audio level metering. A front-panel switch engages an audio compressor to control overloads and clipping during high level audio bursts or peaks from the microphone. Dynamic or condenser microphones are both supported with rear-panel switchable phantom voltage. Includes worldwide...
The STM-2 is a quality low-noise microphone preamplifier designed for use in commercial sound, broadcast, and recording. The STM-2 is very flexible, with gain adjustment from 35 to 65 dB, two balanced or unbalanced outputs, and available phantom supply input. Its ultra-low distortion and lownoise performance make it the best choice, even when larger...
The ST-PH1 Stereo or Mono Phono (Turntable) Preamplifier features a compact, stick-on design ideal for commercial audio installations. The ST-PH1 will accept mono or stereo phono signals and is capable of balanced or unbalanced output. There are screw terminal connections.
The ST-GSP1 is a miniature wall and surface mount gated speech preamplifier, designed to be used in a variety of situations where it is desired to produce an automatically switched line-level signal from a microphone.
The BlueTube DP v2 from PreSonus is a two-channel microphone/instrument preamplifier with "Dual Path" technology that delivers the best of both worlds. It offers a solid state preamplifier stage and a tube preamplifier stage in each channel, delivering either fat, warm tube tone, or solid state transparency.
The STM-1 is a low-cost, high-quality miniature wall and surface mount microphone preamplifier, designed for use in commercial sound and broadcast applications. The compact size makes it ideal where a larger or heavier preamp cannot be used.
DC-78 electret battery power unit for ECM-Series microphone with SCM-connector (ECM-44, -55, -77, -88)
Phantom power adaptor to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs. Lockable 3.5mm jack socket. Robust chassis. Ideal if using both wired and wireless applications.
The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48).
The TubePre V2 from PreSonus is a fully professional tube preamp with a dual-servo (no capacitors) gain stage that allows for boosting the program signal to high levels without significantly increasing the background noise. Discrete components and high-voltage operation provide wide dynamic range without sacrificing detail.