For professionals and enthusiasts alike.
Dettagli
Arri Master Anamorphic 60/T1.9 F
The 60mm Master Anamorphic Prime Lens is one of a set from ARRI/Zeiss featuring low distortion and a fast T1.9 aperture for achieving shallow depth of field. This anamorphic prime offers the skin tones and color rendition for which Zeiss is noted, and color-matches other ARRI/Zeiss primes and ARRI/Fujinon zoom lenses. Its 15-blade iris produces cinematic-looking, oval bokeh with distinct focus fall-off. There is minimal breathing when focusing and no "fat face/anamorphic mumps" effect on your talent. With there being no visible drop-off at the corner of your images, the full 2.39-format image is usable.
Designed from scratch for use with digital cinema cameras, the ARRI/Zeiss Master Anamorphic primes will provide optimal image quality when used with an ARRI ALEXA 4:3-format camera. They will work with film cameras as well. Color fringing and shading in image corners is reduced thanks to the near telecentric design of these multi-coated lenses.
This anamorphic lens provides a 2.39:1 aspect ratio to your image when used with a Super-35 sensor. The 60mm Master Anamorphic Prime Lens features a 36" minimum focus distance, focus marks in feet, a relatively light weight of 6 pounds, and a compact length of 7.2". The lens is constructed with geared focus and iris rings for use with follow focus, zoom control, and F/I/Z wireless systems. The PL LDS mount on the 50mm Master Anamorphic Prime Lens will transfer lens data to compatible cameras.
Features
- Low distortion and no "fat face/anamorphic mumps" effect on your talent
- Provides a 2.39:1 aspect ratio on Super-35 sensors
- Fast, maximum T1.9 aperture produces shallow depth of field
- Color-matches with other ARRI/Zeiss primes and ARRI/Fujinon zooms
- Relatively lightweight, compact form factor with 95mm front diameter
- PL LDS mount will transfer lens data when used with compatible cameras
The 60mm Master Anamorphic Prime Lens is one of a set from ARRI/Zeiss featuring low distortion and a fast T1.9 aperture for achieving shallow depth of field. This anamorphic prime offers the skin tones and color rendition for which Zeiss is noted, and color-matches other ARRI/Zeiss primes and ARRI/Fujinon zoom lenses. Its 15-blade iris produces cinematic-looking, oval bokeh with distinct focus fall-off. There is minimal breathing when focusing and no "fat face/anamorphic mumps" effect on your talent. With there being no visible drop-off at the corner of your images, the full 2.39-format image is usable.
Designed from scratch for use with digital cinema cameras, the ARRI/Zeiss Master Anamorphic primes will provide optimal image quality when used with an ARRI ALEXA 4:3-format camera. They will work with film cameras as well. Color fringing and shading in image corners is reduced thanks to the near telecentric design of these multi-coated lenses.
This anamorphic lens provides a 2.39:1 aspect ratio to your image when used with a Super-35 sensor. The 60mm Master Anamorphic Prime Lens features a 36" minimum focus distance, focus marks in feet, a relatively light weight of 6 pounds, and a compact length of 7.2". The lens is constructed with geared focus and iris rings for use with follow focus, zoom control, and F/I/Z wireless systems. The PL LDS mount on the 50mm Master Anamorphic Prime Lens will transfer lens data to compatible cameras.
Features
- Low distortion and no "fat face/anamorphic mumps" effect on your talent
- Provides a 2.39:1 aspect ratio on Super-35 sensors
- Fast, maximum T1.9 aperture produces shallow depth of field
- Color-matches with other ARRI/Zeiss primes and ARRI/Fujinon zooms
- Relatively lightweight, compact form factor with 95mm front diameter
- PL LDS mount will transfer lens data when used with compatible cameras
|
Specifications |
|
Focal Length |
60mm |
|
Lens Mount |
PL LDS |
|
Aperture Range |
T1.9-22 |
|
Number of Aperture Blades |
15 |
|
Close Focus Distance |
35.4" (0.9 m) |
|
Magnification Ratio |
H: 1:24.3, V: 1: 12.2 |
|
Front Diameter |
3.7" (95 mm) |
|
Maximum Diameter |
4.5" (114 mm) |
|
Entrance Pupil |
-5.98" (-152 mm) |
|
Angle of View (HxV) |
Super 35 Cinemascope: |
|
Maximum Image Circle |
1.15" (29.26 mm) |
|
Length |
7.2" (183 mm) |
|
Length Plus Flange Focal Distance |
9.3" (235 mm) |
|
Weight |
6 lb (2.7 kg) |
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