For professionals and enthusiasts alike.
Nano Prime 6-lenses Set Meter
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Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
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EF 400mm f/2.8L IS II USM Accessories included : - Canon protection case - 2 tripod mounts (long + short) - Large sunhood with front cover - Rear EF cover
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By utilizing dual Nano USM motors, this lens achieves fast and nearly silent autofocusing.
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With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations
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This versatile, professional zoom lens combines high resolution with advanced optical design (F2.8 aperture and 11-blade aperture unit) to create stunning bokeh effects. It is lightweight, powerful and unleashes the potential of modern cameras and cameras thanks to its high image stability and sharpness.
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The world's shortest and lightest interchangeable lens with a focal length of 70-200mm and a light intensity of 1: 2.8 for system cameras with 35mm full-format sensor
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Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor.
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Sony FE 16-35mm F2.8 GM II, G Master Full-frame Wide Angle Zoom Lens (SEL1635GM2)
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2/3 inches HD-EC super wide angle cinematographic lens
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Continuous aperture of F2.8, 5-speed image stabilizer, Nano USM motor, Aspherical and UD lenses
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A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.
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RF 50mm f/1.2 L
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Canon RF, filter diameter: 82mm, digital lens, ultrasonic engine, picture stabilizer
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BEAUTIFULLY SMOOTH BACKGROUNDS: A circular 11-blade aperture on this 50mm lens creates beautiful circular background bokeh defocus effects with a large F1.2 aperture.
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FE 100-400mm F4.5-5.6 GM OSS
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Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom
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FE 16-35mm F2.8 G Master
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This versatile lens offers an extremely wide 17x zoom range starting from a useful wide angle 7.6mm all the way up to 130mm on the telephoto end.
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Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls.
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Canon RF 14-35mm f/4L IS USM
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A compact design with superb optics and a power zoom function makes the Sony PZ 16-35mm f/4 G an ideal choice for all types of creators, whether that means you shoot video, stills, or both.
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Laowa 24mm f/14 2X Macro Probe (Standard). (Sigma/Panasonic/Leica) L mount
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A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G Lens from Sony is an excellent on-the-go lens that specializes in landscape, travel, and close-up photography.
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The RF 100mm F2.8 L MACRO IS USM is a really versatile lens and a must for professionals, semi-professionals and photo enthusiasts who want to achieve their goals in macro, still life and portrait photography. The above-average magnification ratio of 1.4: 1 is made possible by the internal focusing of the lens and the short back focus.
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Unsparing application of leading-edge technology achieves refined G Master performance with consistently high resolution and soft, natural bokeh even at the widest F1.4 aperture setting.
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FE Lens 100mm F2.8 G Master
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FE 24-50mm F2.8 G
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FE 12-24mm F4.0 G
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Get up close and personal with the 1:1 magnification ratio of the full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony's E-Mount mirrorless cameras
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EF 100mm F/2.8 L Macro IS USM
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E-Mount FE Lens 24-240mm F3.5-6.3 OSS
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FE 35 mm F1.4 ZA Carl Zeiss T*
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all-in-one full-frame 10x zoom lens for the RF mount
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With its fast focal length range from 50 to 200mm, this zoom of the Leica DG Vario-Elmarit F2.8-4.0 series offers a remarkable possibility to get distant objects despite its compactness. This can even be expanded up to 800mm (KB) using optional converters.
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The LUMIX S PRO 16-35mm F4 extends the Panasonic S focal range in the wide-angle range. The versatile zoom includes super wide-angle to classic reportage focal lengths. Both photos and videos benefit from its high imaging performance across the entire focal length range. A linear motor with two magnets, which is very powerful despite its compact design,...
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A standard zoom lens of professional quality, for shooting pictures and video
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This Sony E mount Laowa 9mm T2.9 Zero-D Cine Lens from Venus Optics is marked in feet and provides a wide 113° angle of view. It is well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography.
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Covering a versatile range of telephoto focal lengths, the AF-S NIKKOR 70-200mm f/4G ED VR from Nikon is a nimble solution for photographing a range of subjects, from portraits to sports.
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Walk around all day with the Vario-Tessar T FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects.
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Extend the reach of select Canon RF-mount lenses with the Extender RF 2x. This teleconverter magnifies the image by 2x and retains full communication between the lens and camera body, enabling metering, autofocus, and image stabilization as well as the transmission of Exif data.
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Have all the essential focal lengths covered with this E PZ 18-105mm f/4 G OSS Lens from Sony. Designed for APS-C-format E-mount cameras, this lens offers an extremely versatile 27-157.5mm zoom range and has a constant f/4 aperture for consistency through all focal lengths.
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Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 2.0x Teleconverterincreases the lens's magnification by 2x for a narrower field of view
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Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverterincreases the lens's magnification by 1.4x for a narrower field of view
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Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera.
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PL to Emount T CINE S (Black Matt)
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Sigma 18-35mm f1.8 DC HSM Lens is the first wide-angle to zoom lens to achieve a maximum aperture of f1.8 throughout the entire zoom range
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20mm T1.9 Sony E-Mount
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45mm F 2,8 Contemporary DG DN for Sony-E
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IMS EF (CZ.2 28-80)
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The MC-11 Mount Converter enables the use of Sigma EF-mount lenses on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies
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MC-21 Mount Converter Canon-EF to L-Mount. Only compatible with Sigma lenses of the Art / Contemporary / Sports series
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The new FE 28-60mm F4-5.6 offers the worlds smallest and lightest form factor in a standard zoom lens, delivering high optical performance that achieves the high-resolution depiction of full-frame everywhere in the image.
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Focus Demand
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Zoom Demand
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Metabones Canon EF to MicroFourThirds T CINE Speed Booster ULTRA 0.71x
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Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.64x
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Metabones Canon EF to BMCC T Speed Booster (Black Matt)
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Metabones Canon EF to Micro Four Thirds Speed BoosterTM SUPER16 adapters are designed exclusively for Blackmagic Design cameras with Super 16mm sensor size, such as Blackmagic Mirco Cinema Camera (BMMCC), Micro Studio Camera 4K (BMMSC 4K) and the original Pocket Cinema Camera HD(BMPCC).
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Metabones Canon EF to Micro FourThirds T Speed Booster ULTRA 0.71x (Black Matt)
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Metabones Canon EF to Micro FourThirds T Speed Booster XL 0.64x (Black Matt)
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AF-S TC-17 E II teleconverter 1.7 x
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Presenting an immensely wide field of view within a truly compact package, the Laowa 4mm f/2.8 Fisheye provides a huge 210° angle of view for Canon EF-M mirrorless cameras. As a circular fisheye, this lens is characterized by its noticeable distortion and bulb-like visual appearance.
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Nikon G to Emount Speed Booster ULTRA 0.71x (Black Matt)
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Metabones Nikon G to Micro FourThirds Speed Booster ULTRA 0.71x (Black Matt)
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Canon EF to Canon EFR mount T Speed Booster ULTRA 0.71x (EOS R)
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Nikon G to Nikon Z-mount Speed Booster ULTRA 0.71x (Black Matt)
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Metabones Nikon G to E-mount adapter (Black Matt)
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Canon Lens EF-S 24mm f/2.8 STM
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Nikon F to E-mount T /NEX (Black Matt) III
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The mount allows you to set the lens for landscape and portrait.
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Metabones Contax G to X-mount T /FUJI (Black Matt)
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Lens Hood with Adaptor Ring X100/X100s Silver
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Nikon F to Micro FourThirds T adapter (Black Matt) II
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Tripod Mount Ring B for the EF 100mm f/2.8 Macro USM
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Lens Hood ET-87
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EF-EOS R Adapter Standard
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Lens Hood EW-88
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Metabones Mount-Rod Support Kit (Black Matt)
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Designed And Optimized Exclusively For The Hvr-Hd1000U, Wide Angle Conversion Optics, Top-Quality Hg Glass, Lens Design Of Three Lens Groups, Large Lens Hood, Superb Durability, Quick Connect Bayonet Mount, Protective Carrying Case.
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Lens shade for Batis 2.8/18
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Dedicated to the ZEISS Batis 40mm f/2 CF, this Lens Hood helps to minimize flare by deflecting stray light from entering the lens. The hood also provides additional protection to the lens from accidental impact, bumps, and scratching.
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Lens shade for Batis 2.8/135
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Lens shade for Batis 1.8/85
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Lens Hood EW-88C
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SHAPE Lens Gear Kit: 0.8 Pitch for Still Lenses. Set of 4 Rings: 90, 80, 70, and 60mm in Diameter; 4 x Aluminum Screws.
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ES-78 Lens Hood for EF 50mm f/1.2L USM Lens
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Lens Hood EW-77B
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This product minimises lens flare and ghosting by keeping out extraneous light during still-picture and movie shooting.
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Lens Hood EW-88B
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Lens Hood ES-65III
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EW-83K Lens Hood for Canon 24mm f/1.4L II USM Lens?
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Lens Hood EW-83E
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Siemens Star Test Chart
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Camera Body Cap for Canon EOS
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Round brush with silicone blower bulb. Can be set upright
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Camera Lens Cap MFT
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Camera Lens Cap EF
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Rear Lens Cap for Canon EOS
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Rear Lens Cap for Sony A-Mount/Minolta AF
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Prevents reflections and flare spots on the front element and inside the lens with lateral stray light. Serves as a basic shock protection for the lens. Gives the front lens additional protection against moderate rain or snow
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Dedicated to Canon RF-mount lenses, the Lens Dust Cap RF protects the lens's rear element from dust and scratches when it is not attached to a camera.
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Rear Lens Cap for E-Mount Cameras
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To prevent fingerprints on prints, negatives, optical glass, etc. 100 % Cotton, washable at all temperatures. One pair, size XL (10.0-10.5)
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To prevent fingerprints on prints, negatives, optical glass, etc. 100 % Cotton, washable at all temperatures. one pair, size L (standard size 9.0-9.5)
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RF-3 Camera Cover (Body Cap) for EOS Bodies & Extension Tube Fronts
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E-72II Lens Cap
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Camera Body Cap for Nikon
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Rear Lens Cap for Nikon
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Rear Lens Cap for Minolta MD
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Clamping fixtures for secure halt. Spacious inside push-buttons. Mounts to the filter thread of the lens
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Replacement Body Lens Cap (E-mount)
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Clamping fixtures for secure halt. Spacious inside push-buttons. Mounts to the filter thread of the lens
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Clamping fixtures for secure halt. Spacious inside push-buttons. Mounts to the filter thread of the lens
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E-52 II Lens Cap for 52mm EF-M Lens?
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Protects against loss of lens cap. A self-adhesive plate is stuck to the lens cap and attached to the lens by an elastic cord
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Camera Body Cap for Minolta MD
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Covering the wide focal length range from 8mm to super-telephoto 1000mm, the UA125x8 meets the needs for 4K HDR shooting in all scenes, such as relay sports and live concerts.
This lens has an 8.4-900mm zoom with a 16.8-1800mm range when using the built-in 2x extender.
11 x PL-Mount Lens Set, 18/21/25/29/35/40/50/65/85/100 & 135mm, T1.5 Max Aperture, Common 95mm Front
Contattateci per la disponibilità
2/3 inch 4K UHD Field Lens, SS-31DB Full Servo
The 4K Premier UHD UA107X8.4 Box-Type 107x Zoom with OIS from Fujinon is box-style field lens featuring a high 107x zoom range and 4K optical-quality imaging.
The 2/3" UHD 4K Portable EFP Lens from Canon is designed for EFP and broadcast production with a digital servo zoom of 13.6 to 612mm. The lens is designed for use on EFP cameras with 2/3" sensors and is suitable for UHD 4K image acquisition.
Generalmente spedito in 2 settimane
The Fujinon 8.4-832mm f/1.7-4.2 2/3" Bayonet EFP Box Lens is a high zoom ratio lens that lends itself to covering sporting events and other large-scale productions. Its 99x zoom range can extend from moderate wide-angle to super-telephoto focal lengths. The 2x Extender doubles your focal length to achieve tighter framing on your subject.
The UA70x8.7BESM is a 4K UHD box lens with a focal length from 8.7 to 610 mm (17.4 to 1,220 mm with extender), 70x zoom and built-in image stabilizer.
Optimo Ultra 12x Full Package (S35+ U35 + FF/VV) - METER
4 x PL-Mount Lens Set, (18, 40, 65, 135), T1.5 Max Aperture, Common 95mm Front
Generalmente spedito in 5 settimane
Supreme Prime PL Meter Set (25, 29, 35, 50, 85, 100)
Generalmente spedito in 5 settimane
Supreme Prime PL Feet Set (25, 29, 35, 50, 85, 100)
Generalmente spedito in 5 settimane
The XA77x9.5 telephoto field lens sets the bar for price/performance. Perfect for large venues and sporting events. The XA77x9.5 comes standard with Optical Stabilization. Exclusive anti-fogging design minimizes lens fogging and reduces downtime due to moisture. 77x studio lens, focal lengther, with built-in stabilizer, 16-bit encoder.
Optimo Ultra 12x FF Only - meter
Lens only
Generalmente spedito in 2 settimane
In the field of high-end optics, the Raptor Scope stands out as a remarkable achievement in precisionengineering and cutting-edge design. Its high-definition optical system ensures that every sceneobserved is rendered with remarkable accuracy and vividness in a Full Frame image coverage
The Fujinon UA27x6.5 is a 4K-compatible 27x zoom lens, perfect for in-studio applications for news and variety shows.
The UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the worlds widest angle lens in its class.
Lens w/Economical Digital Full servo kit (ZDJ-P01/ FDJ-P01 /SMJ-E01x 2pcs)
Generalmente spedito in 2 settimane
The Fujinon HA42x13.5BERD-U48 High-definition Telephoto Lensis (incl. supporter ALH-117C-01A) lightweight (5.4 kg) and portable telephoto lens with features such as QuickZoom, zoom limiter, internal focusing, and auto-cruise zoom. Excluding alminium trunk case.
The Cooke 19-40mm T2.9 Varotal/i FF Zoom Lens removes the compromise associated with zoom lenses.
The Cooke 19-40mm T2.9 Varotal/i FF Zoom Lens removes the compromise associated with zoom lenses.
The Fujinon 9.5-525mm f/1.7-2.9 2/3" Bayonet EFP Box Lens is a high zoom ratio lens that lends itself to covering sporting events and other large-scale productions. Its 55x zoom range can extend from normal to super-telephoto focal lengths.
SZ65-300/T2.8M - front diameter: diameter 156mm. Includes: K2.0038596 1x ARRI Signature Zoom Single Case 65-300
SZ 65-300/T2.8 F - front diameter: diameter 156mm. Includes: K2.0038596 1x ARRI Signature Zoom Single Case 65-300
The Cooke 35-140mm Anamorphic/i lens combines the creative flexibility of the Cooke Anamorphioc/i prime lenses with a 4x zoom ratio including wide angle.
Super35mm. PL Mount and Dual Focus Scales supplied
SZ16-32/T2.8M - front diameter: diameter 156mm. Includes: K2.0038591 1x ARRI Signature Zoom Single Case 16-32
SZ16-32/T2.8 F - front diameter: diameter 156mm. Includes: K2.0038591 1x ARRI Signature Zoom Single Case 16-32
PL Mount 24-180mm T2.6 zoom lens designed for current and emerging Digital Cinematography and 35mm motion picture film cameras featuring fast T stops, and exceeding 4K optical performance, excluding alminium trunk case.
Cine-Servo super-telephoto zoom lens covering Super 35mm format for PL Mount cameras
Generalmente spedito in 2 settimane
Cine-Servo super-telephoto zoom lens covering Super 35mm format with Canon EF mount
Generalmente spedito in 2 settimane
The wide to telephoto 85 to 215mm zoom lens incorporates a T2.9 to T22 aperture and nine-blade iris for a cinematic bokeh, and it is color-matched with Cooke's S7/i range of Cinema Prime lenses.
The wide to telephoto 85 to 215mm zoom lens incorporates a T2.9 to T22 aperture and nine-blade iris for a cinematic bokeh, and it is color-matched with Cooke's S7/i range of Cinema Prime lenses.
The wide to telephoto 30 to 95mm zoom lens incorporates a T2.9 to T22 aperture and nine-blade iris for a cinematic bokeh, and it is color-matched with Cooke's S7/i range of Cinema Prime lenses.
The wide to telephoto 30 to 95mm zoom lens incorporates a T2.9 to T22 aperture and nine-blade iris for a cinematic bokeh, and it is color-matched with Cooke's S7/i range of Cinema Prime lenses.
This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market.
This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market.
Optimo 19.5-94 - METER
Optimo Anamorphic 56-152 - METER
SZ24-75/T2.8M - front diameter: diameter 114mm. Includes: K2.0038592 1x ARRI Signature Zoom Single Case 24-75
SZ24-75/T2.8 F - front diameter: diameter 114mm. Includes: K2.0038592 1x ARRI Signature Zoom Single Case 24-75
Arri Anamorphic Ultra Wide Zoom 19-36/T4.2 F
The AUWZ 19-36/T4.2 will be delivered with a detachable lens support and zoom lever. Meter and Feet scales are integrated in the lens barrel
SZ45-135/T2.8M - front diameter: diameter 114mm. Includes: K2.0038593 1x ARRI Signature Zoom Single Case 45-135
SZ45-135/T2.8 F - front diameter: diameter 114mm. Includes: K2.0038593 1x ARRI Signature Zoom Single Case 45-135
A new generation of standard compact spherical zoom lens
A new generation of wide-angle compact spherical zoom lens
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
ARRI Signature Prime 12/T1.8 M. Delivered in case.
SP280/T2.8M - front diameter: diameter 134 mm. Delivered in case
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
The Anamorphic/i FF lenses feature a novel hybrid spherical and cylindrical lens element design.
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
SP200/T1.8M - front diameter: diameter 114 mm. Delivered in case
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
The new S8/i FF features premium all-spherical lenses, which produce a uniquely organic, cinematic quality, which is characterised by smooth, spherical bokeh and minimal colour fringing, enabling you to create sensitive and emotive images with a high degree of dimensionality.
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics.
SP15/T1.8M - front diameter: diameter 156mm. Delivered in case.
SP150/T1.8M - front diameter: diameter 114mm. Delivered in case
Arri Master Anamorphic 180/T2.8 M
Arri Master Anamorphic 180/T2.8 F
EZ1 + EZ3 or EZ2 + EZ3
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
Super35mm. PL Mount and Dual Focus Scales supplied
This 65mm T2.6 Macro Anamorphic/i SF Prime Lens features the classic, natural yet sharp "Cooke look" in an anamorphic format.
The "Cine-Servo" zoom lens covering Super 35mm format with Canon EF mount
Generalmente spedito in 2 settimane
Developed for the broadcast and film making professional, the CN10 X 25 IAS S/E1 achieves extremely high zoom lens
Generalmente spedito in 2 settimane
The "Cine-Servo" zoom lens covering Super 35mm format for PL Mount cameras
Generalmente spedito in 2 settimane
The "Cine-Servo" zoom lens covering Super 35mm format for PL Mount cameras
Generalmente spedito in 2 settimane
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Designed to cover the Super35 sensor of cine-style cameras, this set of blue-coated lenses includes six focal lengths (28mm, 32mm, 40mm, 55mm, 75mm, and 100mm).
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
Super35mm. PL Mount and Dual Focus Scales supplied
CamCollimator Collomator with Lens and camera test bench - with parallax testing device Mark III 45S mounted rotatable - side- and height adjustable - 110-250V - grinded steel columns - length 1m - LED light - fibre optic light guides - monitor arm 550-MA - 7 inches LCD Monitor - sliding platform with the lens gauge block and digital micrometer
Arri Master Anamorphic 135/T1.9 F
Arri Master Anamorphic 135/T1.9 M
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
Spanning the Film and ENG worlds, and supporting 4K production, the Fujinon 25-300 mm T3.5 to 3.85 Cabrio Premier PL Lens is a 12x zoom for super 35mm size single sensor cameras with a PL mount
Arri Master Anamorphic 28/T1.9 M
Arri Master Anamorphic 28/T1.9 F
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
The new Macro/i FF lenses feature premium spherical glass, which produces a uniquely organic, cinematic quality, characterised by smooth, spherical bokeh and minimal colour fringing.
CamCollimator Collimator with Lens and camera test bench - with parallax testing device Mark III 45S mounted rotatable - side- and height adjustable - grinded steel columns - length 1m - 110-250V - LED light - fibre optic light guides - sliding platform with the lens gauge block and digital micrometer with reading accuracy of 0,001mm
Combo package including both the Angenieux EZ-1 and EZ-2 zoom lenses.
The PL-mount Cine-Servo 17-120mm T2.95-3.9 Lens from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed with an ARRI PL mount for use on a variety of cinema cameras and covers sensors up to Super35, and it is suitable for 8K/4K...
Generalmente spedito in 2 settimane
The RF-mount Cine-Servo 17-120mm T2.95-3.9 Lens from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed with a native RF mount for use on cinema cameras such as the EOS C400 and covers sensors up to Super35, and it is suitable for...
Generalmente spedito in 2 settimane
Supreme Prime 15/T1.8 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 200/T2.2 PL Meter
Generalmente spedito in 5 settimane
Professional telephoto fixed focal length lens for creating controlled flares with a focal length of 135 mm, a light intensity of T1.5, full-frame coverage and metric scales, PL-mount
Generalmente spedito in 5 settimane
Supreme Prime Radiance 18/T1,5 PL Meter
Generalmente spedito in 5 settimane
SP18/T1.8M - front diameter: diameter 114mm. Delivered in case
Optimo Prime 18mm T2 Lens - METER
Arri Master Anamorphic 100/T1.9 F
Arri Master Anamorphic 100/T1.9 M
CP.3 Lenses - 5 Lens Set - XD eXtended Data CP.3 - 15/2.9 - XD eXtended Data CP.3 - 25/2.1 - XD eXtended Data CP.3 - 35/2.1 - XD eXtended Data CP.3 - 50/2.1 - XD eXtended Data CP.3 - 85/2.1 - XD eXtended Data Choose your mount and scale and add a transport cases or Interchangeable Mounts
Generalmente spedito in 5 settimane
The UWZ 9.5-18/T2.9 will be delivered with a detachable lens support, zoom lever and interchangeable EF mount. Meter and Feet scales are integrated in the lens barrel
The UWZ 9.5-18/T2.9 will be delivered with a detachable lens support, zoom lever and interchangeable EF mount. Meter and Feet scalesare integrated in the lens barrel.
SP21/T1.8M - front diameter: diameter 114mm. Delivered in case
SP125/T1.8M - front diameter: diameter 114mm. Delivered in case
4K Broadcast Zoom Lens with S10 Drive
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
Covers the Red Weapon 8K chip. PL Mount and Dual Focus Scales supplied
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i enables you to shoot 35mm/Super 35mm format, and also to be prepared when camera sensors go to full frame, VistaVision and beyond.
The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics.
The S7/i lenses feature an aperture range of T2.0 to T22, while maintaining the same world-renowned Cooke image characteristics.
Optimo Prime 200mm T2.2 Lens - METER
Super35mm Prime Lenses. PL Mount
SP95/T1.8M - front diameter: diameter 114mm. Delivered in case
SP35/T1.8M - front diameter: diameter 114mm. Delivered in case
SP47/T1.8M - front diameter: diameter 114mm. Delivered in case
SP75/T1.8M - front diameter: diameter 114mm. Delivered in case
SP25/T1.8M - front diameter: diameter 114mm. Delivered in case
SP29/T1.8M - front diameter: diameter 114mm. Delivered in case
SP40/T1.8M - front diameter: diameter 114mm. Delivered in case
SP58/T1.8M - front diameter: diameter 114mm. Delivered in case
Telephoto Lens
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Supreme Prime 150/T1.8 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 18/T1.5 PL Meter
Generalmente spedito in 5 settimane
Super35mm Prime Lenses. PL Mount
Supreme Prime Radiance 21/T1.5 PL Meter
Generalmente spedito in 5 settimane
The Fujinon 14-35mm T2.9 Cabrio Premier PL Lensis a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data...
Arri Master Anamorphic 60/T1.9 F
Arri Master Anamorphic 50/T1.9 M
Arri Master Anamorphic 35/T1.9 M
Arri Master Anamorphic 75/T1.9 F
Arri Master Anamorphic 40/T1.9 M
Arri Master Anamorphic 50/T1.9 F
Arri Master Anamorphic 40/T1.9 F
Arri Master Anamorphic 35/T1.9 F
Arri Master Anamorphic 75/T1.9 M
Arri Master Anamorphic 60/T1.9 M
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Optimo Prime 21mm T1.8 Lens - METER
CINE-SERVO zoom Lens for Super 35mm Camera with EF Mount
Generalmente spedito in 2 settimane
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Cooke SP3 Full Frame Spherical Prime Lens Set of 5, 25, 32, 50, 75, 100 mm. E- and RF-Mount, Footage and Metric Scale, T2.4
Cooke SP3 Full Frame Spherical Prime Lens Set of 5, 25, 32, 50, 75, 100 mm. E- and RF-Mount, Footage and Metric Scale, T2.4
4K Super Wide angle portable lens w/2x ext, focus motor & e-digital drive unit w/encoder
Generalmente spedito in 2 settimane
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
Super35mm Prime Lenses. PL Mount and Dual Focus Scales supplied
4K standard portable lens,focus motor & e-digital drive unit w/encoder
Generalmente spedito in 2 settimane
Optimo Prime 24mm T1.8 Lens - METER
Optimo Prime 135mm T1.8 Lens - METER
Optimo Prime 100mm T1.8 Lens - METER
Canon Digi Full Servo system including: ZDJ-G01, FDJ-G01, SMJ-E01
Generalmente spedito in 2 settimane
Optimo 48-130 Style - METER
The Fujinon 19-90mm T2.9 Cabrio Premier PL Lensis a wide to telephoto zoom lens for Super 35mm cameras. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data...
Arri Master Prime 12/T1.3 F
Arri Master Prime 12/T1.3 M
Supreme Prime 135/T1.5 PL Meter
Generalmente spedito in 5 settimane
CINE-SERVO zoom Lens for Super 35mm Camera with PL Mount
Generalmente spedito in 2 settimane
OS-Tech Optical Stabilizer For 2/3" Lenses
Optimo Prime 32mm T1.8 Lens - METER
Optimo Prime 28mm T1.8 Lens - METER
CZ.2 15-30/T2.9 MFT - Metric
Generalmente spedito in 5 settimane
CZ.2 15-30/T2.9 E - Metric
Generalmente spedito in 5 settimane
CZ.2 15-30/T2.9 F- Metric
Generalmente spedito in 5 settimane
CZ.2 15-30/T2.9 PL - Metric
Generalmente spedito in 5 settimane
CZ.2 15-30/T2.9 EF - Metric
Generalmente spedito in 5 settimane
Supreme Prime Radiance 100/T1.5 PL Meter
Generalmente spedito in 5 settimane
Create images with beautiful, controlled flares without sacrificing contrast or control with the ZEISS Supreme Prime Radiance 65mm T1.5 Lens. This modern large-format cinema lens uses the T* blue coating to achieve this effect and will ensure that contrast is maintained and transmission remains consistent.
Generalmente spedito in 5 settimane
Supreme Prime Radiance 40/T1,5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime Radiance 50/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime Radiance 85/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime Radiance 35/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime Radiance 29/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime Radiance 25/T1.5 PL Meter
Generalmente spedito in 5 settimane
This DZOFilm Arles FF/VV Prime Cine 10-Lens Set includes 10 focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 21, 25, 35, 40, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Arri Master Prime 150/T1.3 M
Arri Master Prime 150/T1.3 F
This wide-to-telephoto 18x zoom doubles to 48x or 15.2 to 274mm when you engage its built-in 2x extender.
Memories are recreated through images, enabling us to travel between the real and the imaginary in time and space. Every artist has their golden age they long for. Vespid Retro Prime provides infinite inspiration and surprise with unique golden coating design. The image becomes the extension of sense and continuation of dreams.
HD 2/3" ENG/EFP PORTABLE LENS
Optimo Prime 40mm T1.8 Lens - METER
Optimo Prime 50mm T1.8 Lens - METER
Optimo Prime 75mm T1.8 Lens - METER
Optimo Prime 60mm T1.8 Lens - METER
The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture.
Generalmente spedito in 2 settimane
The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture.
Generalmente spedito in 2 settimane
The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture.
Generalmente spedito in 2 settimane
The lens produces superb colour rendition and detail, with sharp images from the centre to the outer edges, perfect for 4K HDR capture.
Generalmente spedito in 2 settimane
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Supreme Prime 21/T1.5 PL Meter
Generalmente spedito in 5 settimane
he EZ-3 lens is the new Tele-lens addition to the versatile, future proof Angénieux EZ series.Based on the same philosophy as EZ-1 and EZ-2, the EZ-3 is a compact and affordable cinestylezoom lens. It also includes improvements such as a quick IRO Technology mechanism anddual focus scales
Arri Master Macro 100/T2.0 M
Arri Master Macro 100/T2.0 F
Supreme Prime 135/T1.5 PL Meter
Generalmente spedito in 5 settimane
CP.3 Lenses - 5 Lens Set CP.3 - 15/2.9 CP.3 - 25/2.1 CP.3 - 35/2.1 CP.3 - 50/2.1 CP.3 - 85/2.1 Choose your mount and scale and add a transport cases or Interchangeable Mounts
Generalmente spedito in 5 settimane
Super35mm Prime Lenses. PL Mount
Supreme Prime 40/T1,5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 100/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 85/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 65/T1,5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 35/T1,5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 50/T1,5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 29/T1.5 PL Meter
Generalmente spedito in 5 settimane
Supreme Prime 25/T1.5 PL Meter
Generalmente spedito in 5 settimane
CZ.2 28-80/T2.9 E - Metric
Generalmente spedito in 5 settimane
CZ.2 28-80/T2.9 EF - Metric
Generalmente spedito in 5 settimane
CZ.2 28-80/T2.9 PL - Metric
Generalmente spedito in 5 settimane
CZ.2 70-200/T2.9 PL - Metric
Generalmente spedito in 5 settimane
CZ.2 28-80/T2.9 F- Metric
Generalmente spedito in 5 settimane
CZ.2 70-200/T2.9 EF - Metric
Generalmente spedito in 5 settimane
CZ.2 70-200/T2.9 F- Metric
Generalmente spedito in 5 settimane
CZ.2 70-200/T2.9 E - Metric
Generalmente spedito in 5 settimane
CZ.2 28-80/T2.9 MFT - Metric
Generalmente spedito in 5 settimane
CZ.2 70-200/T2.9 MFT - Metric
Generalmente spedito in 5 settimane
Arri Master Prime 135/T1.3 M
Arri Master Prime 135/T1.3 F
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
7 Compact prime lens Set, Basic
Generalmente spedito in 5 settimane
The Tango series offers an impressive range of focal lengths, from wide-angle to telephoto, allowing filmmakers to capture everything from sweeping landscapes to intimate close-ups with stunning details. With focal lengths spanning from 18mm to 280mm, the Tango lineup provides filmmakers with versatility and endless creative possibilities.
Arri Master Prime 14/T1.3 M
Arri Master Prime 14/T1.3 F
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
Super35mm Prime Lenses. PL Mount
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
Gnosis 3-Lens Kit (Macro 24/32/65 T2.8) metric
This DZOFilm Arles FF/VV Prime Cine 8-Lens Set includes eight focal lengths spanning a comprehensive range from wide to telephoto. This ARRI PL full-frame compatible set comprises 14, 25, 35, 50, 75, 100, 135, and 180mm lenses plus a lens case.
Fujinon HA13x4.5BERM - Wide Angle HD Lens 2/3
Enables use of large studio-use lens. Smooth camera mounting/removal possible. Large-lens optical axis (horizontal/vertical) adjustment function. Rear control panel equivalent to that of a large camera
Generalmente spedito entro 6 settimane
Economical Digi Full Servo System including: ZDJ-S01, FDJ-S01, SMJ-E01
Generalmente spedito in 2 settimane
6 Compact prime lens Set, Basic
Generalmente spedito in 5 settimane
300mm RAPTOR APO Cine Macro Lens Meter Scale Magnification 2:1, T5.6
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 28/40/75mm T.2.1 3-Lens Set from DZOFilm
Capture stunning cinematic images with a vintage anamorphic look using this PAVO 2x Anamorphic 32/55 T2.1 & 100mm T2.4 3-Lens Set from DZOFilm.
Arri Master Prime 16/T1.3 F
Arri Master Prime 100/T1.3 F
Arri Master Prime 100/T1.3 M
Arri Master Prime 16/T1.3 M
Optimo DP 30-80 (with special-PL mount)
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
DIGIPOWER Servo Focus / Zoom Lens Kit
Fujinon SS-21DB, Full Servo Kit (rod/HiSpeed/black)
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
HD 2/3" ENG/EFP PORTABLE LENS
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Arri Master Prime 50/T1.3 F
Arri Master Prime 75/T1.3 F
Arri Master Prime 65/T1.3 F
Arri Master Prime 18/T1.3 M
Arri Master Prime 50/T1.3 M
Arri Master Prime 65/T1.3 M
Arri Master Prime 75/T1.3 M
Arri Master Prime 18/T1.3 F
4K standard portable lens w/2x ext, focus motor & e-digital drive unit w/encoder
Generalmente spedito in 2 settimane
Autoreflex Collimator - measuring the back focus of lenses and cameras: Siemens star reticle,Sideward Eyepiece at test lens (F=300mm - diameter 65mm) - Illuminator (100-240V) 5 green LED variable 2-5 V hardened & honed Steel Pipes (1m) - moveable Platform for camera or micrometer - Micrometer - Plane Glass
EZ2 Pack (S35 + FF). The Angenieux Type EZ-2 for FF/VistaVision format is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set set to 22-60mm F2.8/T3. By exchanging the rear lens group, the lens becomes a 15-40mm F1.9/T2 covering an image circle up to 30mm diagonal (PL Mount)
EZ1 Pack (S35 + FF). The Angenieux Type EZ 1 for FF/VistaVision format is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 45-135mm F2.8/T3, covering an image circle up to 46mm diagonal. By exchanging the rear lens group, the lens becomes a 30-90mm F21.9/T2 for S35mm format, covering an image circle up to 30mm...
150mm RAPTOR APO Cine Macro Lens Meter Scale Magnification 1:1, Aperture T 2.9 - T22;PL; Meter Scale
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
50mm RAPTOR APO Cine Macro Lens Meter Scale Magnification 1:1, T2.9
Raptor S35 T2.3 / 80mm / Meter / Magnification 1:1.3
Raptor S35 T2.3 / 120mm / Meter / Magnification 1:1.2
Fast autofocus plus stunning G Master resolution and gorgeous bokeh, all backed by professional control and reliability.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
"Vintage-Look" Super35mm Prime Lenses. PL Mount
This DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 40, 50, 75, 100, and 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for...
DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 50, 75, 100, and 125mm T2.1, and 12 and 16mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and...
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
"Vintage-Look" Super35mm Prime Lenses. PL Mount
"Vintage-Look" Super35mm Prime Lenses. PL Mount
Optically designed to provide the classic renowned vintage Speed Panchro look of the 1920s combined with modern opto-mechanical design.
"Vintage-Look' Super35mm Prime Lenses. PL Mount