Arri Master Macro 100/T2.0 M
Arri Master Macro 100/T2.0 F
This Gnosis Macro Prime 3-Lens Kit from DZOFilm bundles together 32, 65, and 90mm lenses, providing macro views in wide, standard, and telephoto options. Each ARRI LPL-mount lens comes with both ARRI PL and Canon EF mounts, enabling you to switch mounts to suit a variety of cine-style cameras.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
Gnosis 3-Lens Kit (Macro 24/32/65 T2.8) imperial
Gnosis 3-Lens Kit (Macro 24/32/65 T2.8) metric
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
150mm RAPTOR APO Cine Macro Lens Meter Scale Magnification 1:1, Aperture T 2.9 - T22;PL; Meter Scale
150mm RAPTOR APO Cine Macro Lens Feet Scale Magnification 1:1, Aperture T 2.9 - T22;PL; Feet Scale
100mm RAPTOR APO Cine Macro Lens Magnification 1:1, 47mm ?, Aperture T 2.9 - T22 - PL
Pro2be 24mm T8 2X Probe Lens Set (Direct, 35 degrees & Periscope Module) - (Cine) PL
This DZOFilm VESPID 7-Lens Kit B is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125, and 90mm macro PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
This DZOFilm VESPID 7-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125, and 90mm macro EF mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.
The 90mm T2.8 Gnosis Macro Prime Lens from DZO Film provides impressive close-up views of your subjects with up to 1:5 magnification and a compressed field of view with natural, soft-looking bokeh. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
Gnosis Macro 24 T2.8 for PL/EF/LPL Mount (VV/FF) metric
Gnosis Macro 24 T2.8 for PL/EF/LPL Mount (VV/FF) imperial
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The 65mm T2.8 Gnosis Macro Prime Lens from DZO Film provides impressive close-up views of your subjects with up to 1:33 magnification and a standard field of view. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
The DZOFILM Gnosis 32mm/ 65mm/ 90mm ensures life-sized(1:1/ 1.33:1/ 1.5:1) reproduction at 6.6in/ 9.36in/ 10.2in. The impressive magnifications make small things look bigger in the scenes. This allows filmmakers to get an incredible amount of details and discover the astonishing beauty of the microcosm with close working distance from subjects.
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1 magnification and a wide, encompassing field of view. This ARRI LPL-mount lens with focus marks in feet comes with both ARRI PL and Canon EF mounts, enabling you to use it with a wide range of cine-style cameras.
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Vespid is DZOFILMs high-performance full frame cinema prime lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Vespid. A good companion for your documentory/ TVC/ MV/ commercials/ online movie/ variety show/...
Pro2be 24mm T8 2X Probe Lens (Periscope Module) - (Cine) PL
Pro2be 24mm T8 2X Probe Lens (35 degrees Module) - (Cine) PL
Pro2be 24mm T8 2X Probe Lens (Direct View Module) - (Cine) PL
Laowa 24mm T14 2X Periprobe lens brought a new shooting possibility to the market. It is widely used in wildlife, table-top shootings, advertisements, and other creative works. The new 24mm T14 2x Macro Periprobe brings the probe lens to another level. Users could now explore more possibilities and shoot in a more handy way.
This Jupiter T2 Full Frame Macro Cine 3-Lens Set from Sirui includes three macro cine lenses of various focal lengths, 24, 35, and 50mm, compatible with professional camera systems with ARRI PL-mounts and full frame sensors. An included carrying case houses all the lenses and their included accessories.
Described as "weird but genius," the ARRI PL-mount Laowa 24mm f/14 Probe Lens from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance.
Aurogon FF 10-50x NA0.5 supermicro APO - Arri PL
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box.
Laowa 100mm T2.9 2X Ultra Macro APO Cine (FF) is a macro cinema lens with 26.1° angle of view on Full Frame sensors.
This Jupiter 24mm T2 Full Frame Macro Cine Lens from Sirui captures sharp macro shots with full frame camera sensors using their ARRI PL-mount. It features an aperture range of T2 to T22 for a deep or shallow depth of field, depending on your cinematic vision.
This Jupiter 35mm T2 Full Frame Macro Cine Lens from Sirui captures sharp macro shots with full frame camera sensors using their ARRI PL-mount. It features an aperture range of T2 to T22 for a deep or shallow depth of field, depending on your cinematic vision.
This Jupiter 50mm T2 Full Frame Macro Cine Lens from Sirui captures sharp macro shots with full frame camera sensors using their ARRI PL-mount. It features an aperture range of T2 to T22 for a deep or shallow depth of field, depending on your cinematic vision.