Canon 3795C003 - EOS-C300-Mark-III

1024340

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Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output...
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11 001,86 CHF


 

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Canon EOS C300 Mark III


The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II.


New 4K Super 35mm CMOS sensor for breath-taking image quality


Equipped with a newly developed 4K Super 35mm DGO sensor and DIGIC DV7 image processor, the EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude.


It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see.


Super 35mm DGO (Dual Gain Output) Sensor generates HDR in real time


The DGO sensor is a newly-developed imaging system that offers exceptionally clean low light image quality as well as superb HDR acquisition capabilities. 


On the DGO sensor, each pixel will read out the image with two different amplification levels, one high and one low, which will then be combined to make a single image. The higher amplification read-out is optimized to capture clean details in darker areas, while the lower amplification read-out is optimized to capture the details in brighter areas. Hence, when combined together at pixel-level accuracy, the details and the qualities on both the highlight, as well as the low light areas will be maintained and enhanced which enables the camera to achieve an impressive higher dynamic range of up to 16+ stops. 


The new DGO sensor is also compatible with Dual Pixel AF giving the user greater freedom to achieve the image they desire.


High frame rates up to 120fps in 4K


The EOS C300 Mark III supports continuous 4K recording at up to 120fps, in both Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 180 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting.


Dual Pixel Focus Guide


Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.


Tracking AF


Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.


Face Priority AF / Face Only AF


Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.


Support for in-body Electronic IS


The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.


Automatically obtains focal length


When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.


Electronic IS with non-electrical contact lenses


Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.


Focal Length can be saved


Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.


Advanced Interface


The EOS C300 Mark III features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.


Built-in ND filters


Equipped with a robust built-in electronically controlled ND filter system, EOS C300 Mark III supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.


OSD layout


The On-Screen Display (OSD) shows a range of tools that will not interfere with the information on screen. There are several options to choose from according to your needs.


Anamorphic lens support


EOS C300 Mark III supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing.


User LUT support


Users can design their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal.


ACES Support


The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems.


Compact, lightweight and reliable


Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals and hand-held rigs, making it ideal for various shooting conditions.


Pioneering Auto Focus technology


The EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Users also benefit from smooth, intuitive touch focus operation with the 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. 


To further fine tune AF performance, the EOS C300 Mark III offers the ability to set the AF tracking speed and response. 


Multiple recording formats support broadcast workflows


Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient.


 


 



Specifications



 



Image Sensor



 



Sensor



Super 35mm CMOS sensor



System



RGB primary colour filter (Bayer array)



Sensor Modes



Super 35 mm / Super 16 mm (Crop)



Total Pixels



Approx. 9.6 megapixels (4206 x 2280)



Effective Pixels



Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution

Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution



Effective Sensor Screen Size



Super 35 mm

26.2 x 13.8 mm (29.6 mm on the diagonal): When 4096 x 2160 or 2048 x 1080 is selected as the resolution

24.6 x 13.8 mm (28.2 mm on the diagonal): When 3840 x 2160 or 1920 x 1080 is selected as the resolution



Dynamic Range



Canon Log 2: 1600% / 16+ stops

Canon Log 3: 1600% / 14 stops

Wide DR: 800% (at ISO 400)



Image Processor



 



Type



DIGIC DV7



Lens



 



Lens Mount



Canon EF Mount. User changeable to EF Mount with Cinema Lock or PL Mount

B4 mount lens via adapter accessory (EF or PL)



Lens Magnification factor (for EF Mount lenses, including Cinema Primes)



Super 35 mm:


4096 x 2160 (RAW), 4096 x 2160, or 2048 x 1080 


resolution: Actual focal length x approx. 1.460 


3840 x 2160 or 1920 x 1080 


resolution: Actual focal length x approx. 1.534


Super 16 mm (Cropped):


2048 x 1080 resolution: Actual focal length x approx. 2.920 


1920 x 1080 resolution: Actual focal length x approx. 3.069



Changeable Lens Mount



Yes, User changeable to EF with Cinema Lock or PL Mount



Peripheral illumination correction



YES (dependent on lens used)




ND filter


 



Up to 10 stops via built in ND filter system (in extended mode)



Focus control



EF Mount: Via lens, wireless control or wired remote (dependent on lens used)

PL Mount: Only Cine Servo lenses



Iris control (EF mount lenses)



Via body, grip, wireless control or wired remote.

1/2-stop, 1/3-stop or FINE control.

Possible to maintain constant F-number during zoom.



Cooke/I Technology Support



Yes (PL Mount only after mount change)



Anamorphic Lens Support



Yes, x2.0/x1.3



Image stabilization system



Optical depending on lens used, Digital 5-Axis IS for non IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS



Recording



 



Internal Recording



CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for XF-AVC Proxy recording

SD card also used for Photo Storage (Up to 4096 x 2160), CP setting transfer and firmware update



Recording time (Cfexpress card, 512GB) Approx.



Cinema RAW Light: 4096 X 2160: 1 Gbps: 64 Mins


2048 X 1080: 250 Mbps 256 Mins


XF-AVC/MXF: 4096 X 2160: 810 Mbps 79 Mins/410 Mbps 156 Mins


 2048 X 2160: 310 Mbps 207 Mins/160 Mbps 401 Mins



Recording Formats



Cinema RAW Light (CRM), XF-AVC (MXF) ALL-I or Long GOP



System Frequency/ Frame Rates



59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)

50.00Hz mode (50.00P / 50.00i / 25.00P)

24.00 Hz mode (24.00P)



Cinema RAW Light Bit Rate/Bit Depth (PAL)



4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1Gbps 12-bit

2048 X 1080: 50.00P, 250Mbps 10-bit/25.00P 250 Mbps 12-bit



XF-AVC Recording Bit Rate/ Sampling (PAL)



4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps

2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps



XF-AVC Proxy Recording Bit Rate/ Sampling (PAL) To SD Card



2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP



Slow/Fast motion



Yes, Cinema RAW Light 4096 x 2160: 12 - 120 FPS/2048 x1080/ 12 -120 FPS

XF-AVC: 4096 x 2160: 12 - 120 FPS/2048 x1080/ 1920 x 10890(2K/ Super 16mm) 12 -180 FPS

Proxy files recorded at same frame rate



Interval Record



No



Frame Record



No



Pre Record (cache record)



Yes, 3 seconds



Relay Recording



Yes



Double Slot (simultaneous) Recording



Yes



Scan Reverse



Yes



HD->SD conversion



No



Photo storage media



SD/SDHC memory card



Photo Recording Size



4096x2160/ 3840x2160/ 2048x1080/ 1920x1080



System



 



Wave Form Monitor



Yes. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1 -4)

Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ output supported



False Colour Display (Exposure Indication)



Yes. Via MON.1/2, VIDEO or HDMI Terminals



Colour Bars



SMPTE, EBU and ARIB colour bars available



Peaking



Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)



Zebra



Level 1; Level 2; Both



 
Accessoires

Cable Video

Headphones

Cable Audio

Condenser mic

Shotgun

Charger

Video Soft Cases

Camera Light

Rain protection

Battery

Handheld Microphone kit

Lavalier Kit

Video Tripod system

Cable IT

Test Chart & Clap

Card reader

New products

CFexpress

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