Panasonic AK-UC4000GSJ - 4K Studio camera

1000862

Neu

The AK-UC4000 studio cam boasts variable HDR and supports Media Over IP output
Herstellerpreis :
30 395,60 CHF exkl. MwSt.

Visuals Preis :

26 748,15 CHF


28 914,75 CHF inkl. MwSt.  

Rectangle
Garantie: garantie Visuals Garantie: 36 Monate
Interner Service: Revision, Reparatur & Backup.

Verfügbarkeit: clock

Lieferzeit binnen 6 Wochen


Bestellen Sie jetzt, wir liefern so schnell wie möglich oder
kontaktieren Sie uns für Alternativen: 043 255 59 00.

- +

1000862
Mehr Infos  

A 4K studio camera with high video quality.

Compatible with a 2/3 lens mount and contains a newly developed large 4.4K sensor.


 


This camera offers the high video quality that is only possible with a large sensor, along with a wide range of 4K acquisition with the latest functions such as HDR (HLG), BT.2020 and high-speed shooting. The camera keeps up with diversifying systems with features such as 12G-SDI, TICO, over SDI (4K over 3G-SDI) output and MoIP, making it suitable not only for studio production but for a wide range of operations such as sports and events. With high video quality and a system that can be adapted to various situations, this camera provides the level of high-end production that is needed in the 4K age.


High Resolution


This camera has a newly developed large 4.4K sensor. Beyond 4K sampling is used to achieve an ultra-high-definition resolution of 2000 TV lines.


12G-SDI / TICO


UHD 12G-SDI output (x2) and TICO over SDI output (x1) included as a standard feature.


High Speed


Supports high-speed 2x, 3x or 4x output in HD mode at 1080p, 1080i and 720p simultaneously with standard (1x) output.


Large 4.4K sensor


With a newly developed 4.4K sensor, it realizes ultra-high-definition resolution, high sensitivity, low noise and a wide dynamic range.


B4 mount


The 2/3 lens can be used without an external adapter, and the internal lens is specially designed for large sensors, ensuring high video quality. This new acquisition method maximizes the effectiveness of incident light.


2000-TV line resolution


Beyond 4K sampling achieves a resolution of 2000 TV lines in the horizontal and vertical directions for a richly detailed picture of a wide range of subjects in a variety of settings.


Supports 3 levels of high-speed output in HD mode 


High-speed capture at 1080p, 1080i and 720p is available for sports and other active settings. This feature achieves a richly detailed picture even for fast-moving subjects. 2x, 3x or 4x output can be selected for compatibility with various slow-motion servers.


High sensitivity and low noise


The AK-UC4000 is equipped with a newly developed large-format 4.4K MOS sensor. Two shooting modes can be selected. In High Sense Mode, it is possible to obtain an S/N ratio of 62 dB*2 or higher while also achieving F10 high sensitivity. The result is low-noise and high-image-quality video.


Skew reduction realized through high-speed scans


This camera’s normal and low skew reading speeds are around 1/2 and 1/3 of those on a standard camera (1/60 of a second) respectively. The skewing characteristic of MOS sensors has been reduced by reading out the MOS sensor signal at high speed.


Chromatic Aberration Compensation (CAC)


This exclusive technology utilizes communication between the lens and camera to deploy for a sophisticated algorithm that will automatically compensate for the registration error caused by lens chromatic aberration, and minimize the circumjacent blur.


HDR (High Dynamic Range) support


This mode provides rich gradation to render contrast, color and shadow in dark image areas that could not previously be reproduced due to blackout, thus resulting in more realistic image quality. It supports a variable HDR by adjusting the high dynamic range. In addition, it is possible to configure a system supporting simultaneous HDR/SDR in order to handle production environments with both. SDR image can be adjusted over exposed by offset gain and knee function adjusts bright image as well as HDR.


ITU-R BT.2020


This camera is compatible with BT.2020, a color space that can recreate almost every color in the natural world, enabling a wider range of color expression.


Shockless gain


It is possible to smoothly transition the image changes that occur when gain is changed. In addition, with the 0.1 dB step master gain adjustment function, you can fine tune the adjustments to match the scene being shot.


Diverse color correction functions


In addition to EBU and NTSC preset color matrix, camera users can save two custom specified linear matrix tables, and additionally tune the saturation and hue individual colors with 12-pole color correction system. Specific skin


tones can also be adjusted in addition to the primary secondary and tertiary colors in the 12-pole system.


Skin Tone Detail Correction


Tone down wrinkles and blemishes in on air personalities to beautifully shoot natural skin tones. While designed to soften skin tones the skin tone detail feature can be applied to any hue phase so it could likewise be used to soften areas of other colors (such as green grass). The skin tone detail feature can define three independent skin


tone ranges to manage different light levels or different people on camera. Skintone-get feature finds a specific color in frame to simplify the set up process.


Servo control ND / CC filters


The cameras are equipped with filters for a variety of shooting environments. [ND filters] CAP, Through, 1/4, 1/16, 1/64 [CC filters] Cross, 3200 K, 4300 K, 6300 K, Diffusion


Focus assist functions


Quick and accurate focusing is supported with focus assist functions such as Focus Bar (indicates focus level), Focus-in-Red (uses color to indicate areas in focus), MAG (magnifies central portion), and Square (shows focus status of screen as a whole). Lenses with auto focus and focus assist capabilities are also supported*1. The Remote Operation Panel (ROP) can also be used to focus and zoom while using the digital lens.


Camera standalone output formats


For camera head output (HD-SDI 1/HD-SDI 2), it is possible to select 1080p, 1080i, and 720p.


Extensive video and data transmission (TRUNK) functions


Since video and data can be transmitted between the camera and a Camera Control Unit (CCU) using optical fiber cable alone, system expansion to match operation conditions is possible.


HD-SDI (CCU camera) two lines, VBS (CCU camera) two lines: Can be


used for monitoring with prompter, fixed return or camera (studio floor


monitor), etc.


HD-SDI (camera CCU) one line: This line can be used to transmit an additional video signal of a handheld or remote camera to the studio. Since the camera video input is equipped with a frame synchronizer,


asynchronous video signals can also be used.


LAN (1000BaseT) one line*2: To be used to control external devices and remote cameras by IP protocol. Transmission of streaming video is also supported.


DATA (RS422A or RS232C) two lines: Can be used to transfer lens and pedestal position data in a virtual system.


Detailed settings and functions optimized for operability


- Color temperature display and adjustment function (2000 K to 15000 K variable).


- Transmission of up to 10,000 m possible using single fiber. 


- It is possible to save camera settings, such as video adjustments, on an SD memory card. Firmware version upgrades are also supported. 


- A lens file function to save flare and shading values.


- Support for IP streaming and IP control.


- The NewTek Software “NewTek AutoLink for Panasonic PTZ”, which is available on the Internet, allows Panasonic professional cameras equipped with IP streaming to be automatically detected from NewTek TriCaster® and


IP series Video Mix Engine on the network, enabling direct use of IP streaming from the cameras with these NewTek products.


- DC12 V 2.5 A and 1.0 A output as a standard feature. This can be used as a power source for large lenses, prompters, and sub-monitors.


- There are four user buttons (enabling function selection) on the camera head and four on the viewfinder. They support rapid shooting by the camera operator.


Intercom connection


With two independent intercom lines, in addition to Intercom 1 and Intercom 2 switching, an Intercom 1 and 2 mix mode has been added and can be selected to observe the situation. With the Intercom front/rear switch and front volume, it is possible to adjust the intercom audio level even when the camera is being used from the shoulder.



 

    Hilfe,
    Finanzierung,
    Rufen Sie uns an!

  • GE : + 41 22 561 07 07
  • ZH : + 41 43 255 59 00
  • TI   : + 41 91 985 25 11

Menü