Für Profis und Einsteiger
Mehr Infos
Arri Master Anamorphic 50/T1.9 M
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.
For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
Features
Low distortion for uncompromised cinemascope
- Straight lines stay straight
- No distortion compensation in post necessary
- Low distortion even at close focus
Cinematic bokeh with high contrast and nice focus fall-off
- Very smooth out-of-focus image
- Immersive look
Beautiful skin tones and precise color rendition
- Smooth and pleasant skin tones
- Natural crispy color rendition
Characteristic out-of-focus highlights
- Oval and uniform illuminated out-of-focus highlights
- Smooth iris shape because of 15 aperture blades
Large image field for full freedom in composition
- Full 2.39:1 format is useable for image composition
- No visible image drop at the corners
Large aperture of T1.9 for shallow depth of focus
- T1.9 useable with any focal length at any distance
- Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
- Virtually no image breathing
- No anamorphic mumps (fat face effect)
- Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
- ARRI Lens Data System (LDS) for lens metadata
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.
For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
Features
Low distortion for uncompromised cinemascope
- Straight lines stay straight
- No distortion compensation in post necessary
- Low distortion even at close focus
Cinematic bokeh with high contrast and nice focus fall-off
- Very smooth out-of-focus image
- Immersive look
Beautiful skin tones and precise color rendition
- Smooth and pleasant skin tones
- Natural crispy color rendition
Characteristic out-of-focus highlights
- Oval and uniform illuminated out-of-focus highlights
- Smooth iris shape because of 15 aperture blades
Large image field for full freedom in composition
- Full 2.39:1 format is useable for image composition
- No visible image drop at the corners
Large aperture of T1.9 for shallow depth of focus
- T1.9 useable with any focal length at any distance
- Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
- Virtually no image breathing
- No anamorphic mumps (fat face effect)
- Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
- ARRI Lens Data System (LDS) for lens metadata
|
Specifications |
|
Lens Mount |
PL LDS |
|
Aperture |
T1.9 - T22 |
|
Close Focus |
0.75 m / 2'6" |
|
Magnification Ratio |
H: 1:22.2, V: 1: 11.1. |
|
Length |
183 mm / 7.2". |
|
Length including flange focal distance |
235 mm / 9.3" |
|
Front Diameter |
95 mm / 3.7" |
|
Maximum Housing Diameter |
114 mm / 4.5" |
|
Weight (kg) |
2.6 |
|
Weight (lbs) |
5.7 |
|
Entrance Pupil (7) (mm) |
-171 |
|
Entrance Pupil (7) (inch) |
-6.75 |
|
Angle of view H - V Super 35 Cinemascope |
48° - 21° |
|
Image Diameter |
29.26 mm |
-
Hilfe,
- GE : + 41 22 561 07 07
- ZH : + 41 43 255 59 00
- TI : + 41 91 985 25 11
Finanzierung,
Rufen Sie uns an!
